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Cast | Production Team | Synopsis | Credits

Subtitled, A Life in Revue, the musical is a 6-time Tony Award Winner for Best Musical, Best Direction, Best Choreography, Best Costumes, Best Score and Best Lighting. The performance recounts the life of an American legend. At the height of his popularity, Will Rogers was famous for saying, “I never met a man I didn’t like,” and he became the biggest, most famous and highest paid star of every existing medium of his time – stage, radio, newspapers and public appearances.


PERFORMANCE DATES - Summer, 2005
Saturday, July 16 at 8:00 p.m.
Sunday matinee, July 17 at 2:00 p.m.
Friday, July 22 at 8:00 p.m.
Saturday, July 23 at 8:00 p.m.
Sunday matinee, July 24 at 2:00 p.m.

Tickets for each of the 5 performances of The Will Rogers Follies are on sale now.
Prices are $14 and $18 for adults, $12 and $16 for seniors and students, and Patron sponsors for $30.

Patron tickets will aid in the royalty costs. A special Rodeo Round Up party is planned for opening night in honor of these patrons, and their names will be listed in the musical’s program.

Tickets are available at the Palace Theatre Box Office or by calling 740/383-2101.

In continuation of their support for the Palace Theatre, this year’s summer musical sponsors are the Smith Clinic and Marion Area Health Center.

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Johnny Steiner


Brad Bebout

CAST

Will Rogers - Johnny Steiner
Ziegfeld's Favorite - Jessica Dyer
Ziegfeld's Least Favorite - Alice Galloway
Indian Dancer - James Bikley
Wiley Post - Kevin Orth
Clem Rogers - Brad Bebout
Florenz Ziegfeld's Voice - Bob Bender
Four Cowboys - Rob Baird, Daniel Bradshaw, Wayne Rowe, Jon Baldauf
Stage Manager - Bruce Cudd
Betty Blake - Kristi Wink
Ziegfeld Girls - Kim Strzalka, Abbey Borders, Erica May, Emily Yaksic, Holly Cowles, Mandy Myers, Megan Smith, Paige Mosley, Carly Augenstein, Amanda Sterling, Nissa Sands, Holly Blinn, Charlotte Baird
Will Rogers, Jr. - Eli Burris
Mary Rogers - Paige Sims
James Rogers - Ryan Howard
Freddy Rogers - Parker Baird
Radio Engineer - Scott Persinger
Quartet - Cory Ridge, Rob Baird, Bruce Cudd, Scott Persinger

Kids Chorus - Zane Burris, Casey Cooke, Sadie Wink, Nikolas Petrovski, Abigail Guider Hooper, Luke Stewart
Amanda Withrow, Kim Cannane, Paige Denman, Emma Christman, Aubree Christman, Danielle Lambrite
Geoffrey Baird, Addy Baird, Taylor Nagel


Jessica Dyer


Kristi Wink

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PRODUCTION TEAM

Clare Cooke, Director
Kristi Wink, Choreographer
George Schram, Assistant Director & Orchestra Conductor
Carol Hansen, Assistant Director & Stage Manager
Lynette Burris, Vocal Director
Don Wolfe, Set Design
Lyn Giles, Costumes
Steve Beltz, Sound
Barb Yaksic, Roxanne Sullivan, Tony & Alice Sands, Production Assistants

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SYNOPSIS

Will Rogers is famous for saying "I never met a man I didn't like," and anyone who has ever seen or performed in WILL ROGERS FOLLIES will agree that there has never been a man-or woman-who did not like it.

Subtitled "A Life In Revue," WILL ROGERS stands out among musicals because of the magic of its protagonist. Rare is the man who transcends decades and rises to the level of legend. Will Rogers does this not only because of his accomplishments, but because of his philosophy, which espouses respect and confidence in the goodness of his fellowman.
The curtain rises on a Follies-style tribute to the man whose daily newspaper column sent America on its way each morning with a smile on its face. In fact Will was a multimedia sensation, performing a weekly radio talk show as well as starring in motion pictures.

Between rope tricks which entertain the audience while the show girls are changing their costumes for The Follies, Will soothes us with his old-fashioned common sense. The songs Never Met a Man I Didn't Like and Give a Man Enough Rope are parables set to music.
Now it's time to get to know Will, his friends and family. Will introduces us to the aviator Wiley Post, to his six sisters, and to his father Clem. Born to parents who were part Cherokee, Will learned early on to be proud of his heritage.

When Will turned nineteen, he set off, despite his father's protests, to be a cowboy down in Argentina. It was at the train depot that Will first laid eyes on Betty Blake, the woman who would become his wife. But how theatrical is that? Not enough, apparently, because Mr. Ziegfeld quickly rewrites history and lowers Betty romantically from the Moon to recreate her first meeting with Will!
Once married Will tours the country performing his routine until the day his big break arrives, and he is offered a part in Florenz Ziegfeld's Follies. After six fabulous seasons, Will is called to Hollywood to perform on the silver screen.

After much success and a run for President in 1928, Will assesses his life. It is time to spend more time at home. Nonetheless, Will is called on to soothe the nation's jitters after the stock market crash. It seems that his straight talk and simple truths create quite an impact on the nation. You will find that your audience responds in much the same way.

When Wiley Post and Will lose their lives during a flying adventure in Alaska, the nation mourns its lost friend. The musical version, however, is an upbeat celebration of this folk hero who made the world "a whole lot better place" than it was before he entered it.

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CREDITS

THE WILL ROGERS FOLLIES
A Life In Revue

Book by Peter Stone
Music Composed & Arranged by Cy Coleman
Lyrics by Betty Comden & Adolph Green

Original New York Production Directed and Choreographed by Tommy Tune

Inspired by the words of Will and Betty Rogers

Originally produced on Broadway by
Pierre Cossette,
Martin Richards, Sam Crothers, James M. Nederlander,
Stewart F. Lane and Max Weitzenhofer
in association with Japan Satellite Broadcasting, Inc.

Produced by arrangement with TAMS-WITMARK MUSIC LIBRARY, INC.,
560 Lexington Avenue, New York, NY 10022

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